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Apple Original Films’ *F1* has shattered early projections, outpacing expectations both domestically and internationally. Unlike the typical tepid performances of tech company-backed films in cinemas, this Joseph Kosinski-directed offering is proving that with the right subject and execution, Apple can genuinely contend with Hollywood’s big guns. The film’s worldwide debut is estimated to climb as
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In an era where theatrical audiences are notoriously elusive—thanks to streaming competition, high ticket prices, and shifting consumer habits—it’s refreshing to witness a commercially and culturally significant success like Apple’s “F1.” The film’s $55 million-plus opening weekend at nearly 3,700 theaters isn’t just a one-off hit; it’s a game-changer for how mid-to-high budget films from
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Nike’s recent 17% stock spike, fueled by a cautiously optimistic earnings call, is superficially encouraging. But beneath the surface of this rally lies a sobering reality: the company’s so-called “turnaround” is not yet a full-fledged recovery but rather a fragile step in the right direction. CEO Elliott Hill’s insistence that the worst is behind Nike
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As summer rolls in with blistering heat and the tumult of hurricane season, savvy investors are flocking to Generac, the powerhouse behind backup generators. In the backdrop of escalating temperatures and disruptive storms that threaten power reliability, the surge in Generac’s stock is emblematic of a broader trend where extreme weather intricately weaves through finance.
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In the unfolding drama of vaccine recommendations, few moments stand out as significantly as the recent endorsement of Merck’s Enflonsia by the Advisory Committee on Immunization Practices (ACIP). Robert F. Kennedy Jr.’s overhaul of this influential panel has rattled some cages, especially among critics of vaccines. Yet, what stands out amid the controversy is the
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In an increasingly digital age, the intersection of artificial intelligence (AI) and copyright law is ripe for conflict. Recently, U.S. District Judge Vince Chhabria ruled in favor of Meta in a case involving a group of thirteen authors, including high-profile figures like Sarah Silverman and Ta-Nehisi Coates. While the judge acknowledged that copying protected works
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