The release of *Rumba Royale* is more than just the debut of a Congolese superstar; it is also a potential turning point for African cinema. Pathé Touch Afrique, having recently rebranded and with a renewed commitment to African films, is taking a bold step in amplifying voices and stories that have long been sidelined. This
Entertainment
Warner Bros. has undeniably cemented its position as a powerhouse in the film industry, achieving remarkable financial success with its recent offerings. This weekend, their latest release, *Final Destination: Bloodlines*, is poised to score a staggering $4.6 million during Thursday previews, with anticipations soaring higher than ever before. This figure comes perilously close to the
Lionsgate’s upcoming release, “From the World of John Wick: Ballerina,” is set to debut on June 6, with projections estimating an impressive opening weekend of between $35M to $40M. This film, helmed by director Len Wiseman and featuring the outstanding Ana de Armas in the lead role, signifies a pivotal moment not only for Lionsgate
The horror genre has long thrived on reboots and sequels, but with “Final Destination: Bloodlines,” Warner Bros has managed to bring back a franchise that hasn’t seen a new installment in 14 years. This revitalization isn’t merely about regurgitating old plots or relying on nostalgic sentiments; it signifies a deeper cultural alignment within horror that
Broadway has always been a bellwether of America’s cultural heartbeat. After the profound disruptions of the COVID-19 pandemic, it is heartening to witness Broadway’s box office receipts for the 2024-2025 season soar to $1.8 billion—a figure that not only marks the return of live theatre but also surpasses the same week during the record-setting pre-pandemic
Richard Linklater’s upcoming film *Blue Moon*, set to hit theaters on October 17, sheds light on the remarkable yet oft-overlooked musical genius Lorenz Hart. This film is not merely a biopic; it’s an exploration of the human soul wrapped in melodies and heartbreak. Hart, whose lyrical poignancy profoundly shaped American musical theatre, faced personal demons
In a tumultuous landscape that consistently grapples with fluctuating audience preferences and shifting cultural conversations, Marvel Studios/Disney’s *Thunderbolts* has emerged remarkably resilient with a global box office haul reaching $272.2 million in its second weekend. The drop of 52%, or a more concentrated 50% when excluding China, is an alarming indicator of audience fatigue with
As Disney and Marvel Studios celebrate the lukewarm performance of their latest offering, *Thunderbolts*, one can’t help but question the rationale behind their continued investment in blockbuster franchises. This film is anticipated to rake in about $30 million in its second weekend, reflecting a staggering 60% drop from its opening weekend. While some may argue
In an era of uncertainty within South Korea’s entertainment industry, the merger between Lotte Cinema and Megabox stands out as a potentially game-changing partnership. The signing of the memorandum of understanding between Lotte Cultureworks and Megabox Joongang marks a pivotal moment for both companies, who have struggled to bounce back from the pandemic-induced slump in
The narrative surrounding AMC Entertainment’s recent financial performance is one fraught with misconceptions and blanket negativity. While news outlets focus on the $202 million net loss for the first quarter of 2025—an increase from $163 million a year prior—the context behind these figures is often lost. AMC’s CEO, Adam Aron, emphasized that drawing harsh conclusions